It’s been a little while for a Field Lighting post, but I have a few in the bag. Assignment work and research has been keeping me away, and it looks like it’s just going to get heavier in the near future, but hopefully I can squeeze in a few remnants of my existence on the World Wide Web during all the work!

I don’t know if I’ve ever written about on-camera flash, and Lord knows I don’t advocate it much, but every once in a while, it comes in handy (besides the occasional wedding)! The above photograph was taken on a Lesser Prairie Chicken lek where Blake Grisham and Nick Pirius were conducting research on this seemingly dwindling and fragile species. We sat in the pickup some 75 yards or more away from the lek until we were sure all the birds had flown off. We then drove up slowly, trying hard not to disturb any birds that may have been caught for analysis. If a bird is located, then it’s out of the pickup and quickly to the bird, back to the truck for measuring, banding, radio-collaring, etc., and then released. This literally does not take more than five minutes sometimes. The point is to not traumatize the bird or negate it’s surroundings in any obtrusive way while still ensuring proper research is conducted to help the species later down the road (the bird has a sock over its head to keep it calm).

OK, you can imagine this happens in a short amount of time, and by all means, less time than it would take to set up lighting for all the images taken from piling out of the pickup to scurrying back and through analysis. Enter the on-camera flash. Mobility is definitely the name of the game when you employ this stick of dynamite on TOP of your camera (whether it be an internal flash or attachable speedlite). My entire mentality of handling on-camera flash is the same as it were off. Constantly check your ambient, and work with it judiciously! Luckily, this bird was taken in right after the sun had set, so the sky was a nice blue, low in value, making my flash (a 580EX gelled amber) easily controlled at low settings, saving both battery and everyone’s eyes! Controlling the power on the on-camera flash can be handled in a variety of ways, just as if it were off-camera. I tend to work in AV mode with exposure compensation dialed down a bit in order to save the ambient.

The flash does have a diffuser placed over its bulb. On-camera flash is not nearly as pleasing without this affordable device. Shadows are hard enough with it on. In my opinion, hard shadows coming from the camera axis doesn’t say much in my own photography (there are others that would undoubtedly disagree, and for good reason).

This final shot is the release of the prairie chicken. Stayton Bonner, the writer for the story we were working on, was in for a very fast treat!